an Anti-Neoist
Did you know that I am the anarchist who threw a bottle of vitriol into the middle of Stock Exchange? I fired only three revolver shots into the crowd: BUM, BUM, BUM! But I killed everybody. Yes, everybody. And the cops couldn't get me because before they could get me I blew my brains out with a gunshot. Yes. And then I laughed at them: HA, HA, HA, HA... And then I screamed: LONG LIVE NEOISM LONG LIVE REVOLUTION LONG LIVE ANARCHISM LONG LIVE DINAMYTE BUNCH OF IDIOTS
(Monty Cantsin, “Long Live Neoism,” on the LP "AHORA NEOISMUS")		 an Anti-Neoist
Neoism was self-consciously avant-garde. As perhaps the only genuinely avant-garde group of the ten year period between 1975 and 1985, the Neoists rank among the most likely candidates for future canonisation as part of the tradition that stretches from Futurism and Dada to the Situationists and Fluxus.
(Monty Cantsin, “Introduction into the Polish Edition of The Assault on Culture,” in the book “Neoism, Plagiarism and Praxis”>

Neoism was quite literally “avant-garde” in that, in the 1980s and early 1990s, it anticipated internet culture and the internet economy as we know them today, but without digital networking technology. What began as anonymous and pseudonymous meme production and an anti-copyright collective commons in the “neoist network web” (as it called itself in 1982), ended up as a platform for building individual influencer brands operating as hyper-individualized microcapitalism. Both Kantor and Home used Neoism to build their micro-influencer brands in the performing arts and publishing, respectively.

Forget Neoism, get a life.